Conferencia del pasado 12 de febrero 2019 en el Real Conservatorio Profesional de Danza “Mariemma” de Madrid sobre espacios desérticos y creación contemporánea, basado en nuestras experiencias en el desierto y especialmente con los proyectos Caravane Tighmert y Project Qafila.
Le 18 is an independent culture centre based in Marrakesh. Last week they presented a new publication on contemporary art with contributors that have participated to their multiples art activities. Its founder, Moroccan photographer Laila Hida, asked me to share my research on caravans, in the framework of Project Qafila, but from her own perspective, approaching the narration of my travel story by the fictionality that allows the internet tools.
When I started Project Qafila in 2016 I wanted to use only analog cameras, for pictures and for videos, in order to do not carry extra batteries or a solar charger. For Qafila Oula I used Sprocket Rocket and Lomokino cameras with different Ilford films (Hp5 plus 400, Delta 400 and XP2 400).
Pictures taken with the Lomokino:
Video made with the Lomokino:
In 2017, for Beyond Qafila Thania, I used again the Sprocket Rocket and I tried a 16mm Bolex SBM but it stopped working from the second shot
These are the pictures taken with the Sprocket Rocket using 400 Ilford films:
In 2018, after sending the Bolex to be repaired, I could use it but it broke partially, being able to shot not more than 4 seconds during Qafila Thalitha:
For pictures I used for the first time a Leica M6 with Kodak Tri-X 400 TX films.
This year I had the chance to talk in Ceuta, Fez, Zagora, Bir Gandouz (Dakhla) and Marrakesh about Saharan caravans, architectural heritage, nomadism, territory and urban planning in the desert, water and contemporary culture. Thanks a lot to Aula permanente de formación abierta (Granada University), Takafes, Forum International des Oasis, Ministère de l’Aménagement (Morocco) and Le 18 for trusting me.